Have you heard the latest buzz about the Menendez brothers? The new season of Ryan Murphy’s Monsters series is shaking things up. The show explores the trial of Erik and Lyle Menendez, who were accused of murdering their parents, Jose and Kitty Menendez. One standout scene shows Dominick Dunne, a Vanity Fair writer, discussing the case with defense attorney Leslie Abramson. Dunne raises an important question: were the brothers lying psychopaths or victims of severe abuse? The series takes on this binary perspective, suggesting the brothers either had a horrific upbringing or were skillfully coached liars. But is this black-and-white approach fair?

Throughout the series, Dunne serves as a sort of Greek chorus, sharing talking points that paint the brothers in a negative light. He suggests they killed their parents for money and had a history of criminal behavior. However, the show's depiction overlooks key evidence of abuse. Both Erik and Lyle had talked to relatives about their experiences, and neighbors testified that their father tried to involve them in inappropriate activities. Even their mother’s therapist hinted at family secrets. These details were largely ignored during the trials, and the show doesn't give them proper attention either.

The Menendez story is tricky. It's about people who are both survivors and perpetrators of violence, which can blur the lines between victim and criminal. Portraying traumatized characters while acknowledging the harm they caused requires careful storytelling. Unfortunately, Murphy’s show often comes up short in this regard. The series, much like previous Murphy productions, tends to focus on the spectacle instead of delving into deeper, more nuanced questions.

Take, for example, Murphy’s work on The Assassination of Gianni Versace. The show sensationalizes Andrew Cunanan’s actions but fails to explore his own experiences of abuse and trauma. It’s a missed opportunity to add depth to a complex story. Similarly, The Jeffrey Dahmer Story drew criticism for centering on Dahmer and lacking sensitivity towards his victims.

It’s clear that true crime stories need a lot more care and thoughtfulness. They should go beyond sensationalism and explore the difficult realities of abuse and trauma. The Menendez brothers’ case, which dates back to 1989, highlights how the media and justice system handled abuse accusations before societal shifts like the Me Too movement.

As audiences, we need to question these simplistic portrayals. The Menendez case is more complicated than a simple tale of psychopaths or abused children. It’s about understanding the complex ways trauma and violence intersect.

The Menendez Brothers: Truth or Performance?

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